Cultures of Comics Work unveils this hidden, global industrial labor of writers, illustrators, graphic designers, letterers, editors, printers, typesetters, publicists, publishers, distributors, translators, retailers, and countless others both directly and indirectly involved in the creative production of what is commonly thought of as the comic book.
Meanwhile, the large numbers of people without whose collective action no comic book would ever exist in the first place are routinely overlooked. Names such as these have become synonymous with the medium of comics. This anthology explores tensions between the individualistic artistic ideals and the collective industrial realities of contemporary cultural production with eighteen all-new chapters presenting pioneering empirical research on the complexities and controversies of comics work.
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Collectively, they analyze a variety of contemporary comics, including such highly popular series as Diary of a Wimpy Kid and Lumberjanes Eisner award-winning graphic novels by Gene Luen Yang, Nate Powell, Mariko Tamaki, and Jillian Tamaki as well as volumes frequently challenged for use in secondary classrooms, such as Raina Telgemeier's Drama and Sherman Alexie's The Absolutely True Diary of a Part-Time Indian.
The contributors are likewise drawn from a diverse array of disciplines-English, education, library science, and fine arts. The anthology is divided into five sections, structure and narration transmedia pedagogy gender and sexuality and identity, that reflect crucial issues and recurring topics in comics scholarship during the twenty-first century.
Graphic Novels for Children and Young Adults is the first book to offer a critical examination of children's and YA comics. Despite the popularity and influence of children's and YA graphic novels, the genre has not received adequate scholarly attention. Educators and librarians extol the benefits of comics reading, and increasingly, children's and YA comics and comics hybrids have won major prizes, including the Printz Award and the National Book Award. Rickard Rebellino, Rebecca Rupert, Cathy Ryan, Joe Sutliff Sanders, Joseph Michael Sommers, Marni Stanley, Gwen Athene Tarbox, Sarah Thaller, Annette Wannamaker, and Lance Weldy One of the most significant transformations in literature for children and young adults during the last twenty years has been the resurgence of comics. Low, Anuja Madan, Meghann Meeusen, Rachel L. Davis-McElligatt, Rachel Dean-Ruzicka, Karly Marie Grice, Mary Beth Hines, Krystal Howard, Aaron Kashtan, Michael L. With contributions by: Eti Berland, Rebecca A. Includes contributions from 70 expert contributors and leading scholars in the field, with some of the entries written with the aid of popular comic book creators themselves Provides sidebars within each entry that extend readers' understanding of the subject Offers Essential Works and Further Reading recommendations Includes a comprehensive bibliography The book's coverage extends beyond just characters, as it also includes entries devoted to creators, publishers, titles, and even comic book related phenomena that have had enduring significance. This two-volume work examines fascinating subjects, such as how the superhero concept embodied the essence of American culture in the 1930s and the ways in which comic book icons have evolved to reflect changing circumstances, values, and attitudes regarding cultural diversity. Each entry also lists essential works, suggests further readings, and contains at least one sidebar that provides entertaining and often quirky insight not covered in the main entry. Icons of the American Comic Book: From Captain America to Wonder Woman contains 100 entries that provide historical background, explore the impact of the comic-book character on American culture, and summarize what is iconic about the subject of the entry. But these comic book characters, and their creators, do more than simply thrill: they make us consider who we are and who we aspire to be. These imaginary characters permeate our culture-even Americans who have never read a comic book grasp what the most well-known examples represent. Multiple generations have thrilled to the exploits of the heroes and villains of American comic books. This book explores how the heroes and villains of popular comic books-and the creators of these icons of our culture-reflect the American experience out of which they sprang, and how they have achieved relevance by adapting to, and perhaps influencing, the evolving American character.
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